ARTS EVENTS - MAY FESTIVAL

Box Office:
Ticketweb: 08700 600 100 / www.ticketweb.co.uk
See Tickets: 0870 264 3333 / www.seetickets.com

We Got Tickets (internet only, but save on postage fees): www.wegottickets.com

Tickets also available through the Museum - 020 7401 8865

ATMOSPHEREs 2
FIELD RECORDING and the World of NATURAL SOUND

Touch and the Museum of Garden History present a second season of performances and events exploring the sounds of the natural world.

Thursday 8th - Monday 12th May
10:30 - 17:30 daily - INSTALLATION & DEMONSTRATION
TREE LISTENING with Alex Metcalf

For more information please visit www.alexmetcalf.co.uk
Alex is an inventor and artist with a fascination for the natural world. One of his recent inventions is a device which records the sound of water as it seeps through the trunks of trees. The sound is amplified hundreds of times so it can be audibly heard and as Alex will demonstrate, each tree has its own particular 'sound'. Alex will carry out demonstrations in the Museum's garden on Saturday 10th.

Thursday 8th May
20:00 - PERFORMANCE
PHILIP JECK
ROBERT HAMPSON
MARCUS DAVIDSON

The first of the performances sees the acclaimed multimedia composer Philip Jeck perform alongside the pianist/organist Marcus Davidson and the ex-Loop and Main founder Robert Hampson. Performances will start at 8.30pm. £12

Friday 9th May
20:00 - PERFORMANCE
FENNESZ
CHARLES MATTHEWS
MATT DAVIES & SIMON WHETHAM

One of Europe's foremost electronic artists comes to the UK, also performing alongside the pianist/organist Charles Matthews. They are supported by the Bristol-based sound artists Matt Davies and Simon Whetham. Performances will start at 8.30pm. £12

Monday 12th May
11:00 - 18:00 - SYMPOSIUM
HAUNTOLOGY NOW!
In the past two years, the concept of ‘hauntology’ has emerged as a name for the zeitgeist. The shades of the past become more vivid than anything turned up by the present.

The spirit of the times is itself spectral. Faced with the apparent triumph of global Capital and the collapse of cultural innovation, artists and critics impatient with postmodern culture’s ‘nostalgia mode’ are forced back to a time before the End of History. They engage in mourning and melancholia for what has disappeared and what never came to be. Everyday life becomes ghostly… a saturated culture is unable to forget that things were not always like this.

Coined by Derrida in his Spectres Of Marx, ‘hauntology’ now has an unlife of its own. It is in relation to sound, in particular, that ‘hauntology’ has gained its second – or should that be third life.

Recent releases by Burial, the Ghost Box label, Mordant Music, The Caretaker, Philip Jeck, Gavin Bryars and Chris Watson have in their different ways exemplified a hauntological sensibility. The revival of attention upon the post-vinyl status of groups like Joy Division, The Gang of Four, The Fall etc. presents a parallel narrative that conditions development in the present.

This May 12 event will be the first to deal with the relation between sound and hauntology, and will focus in particular on the role of space in generating hauntological effects. Why do certain places retain the traces of past sonic events? Why is so much hauntological music tied up with particular spaces? What has the disappearance of the concept of public space to do with hauntology?

The day will be divided into afternoon and evening sessions. The afternoon will be devoted to theoretical explorations of sonic hauntology, with presentations by Mark Fisher (The Wire, k-punk weblog), Jon Wozencroft (Touch, Royal College of Art), Paul Devereux (author, researcher into Archaeoacoustics, Royal College of Art), Christopher Woodward (Director of the Museum of Garden History) and Steve Goodman, better known as Kode9 (University of East London). The evening will be given over to performances and interventions, with The Caretaker, Kode9 and The Spaceape and Philip Jeck headlining. £8

Monday 12th May
20:00 - PERFORMANCE
KODE9 & THE SPACEAPE
THE CARETAKER (aka V/VM)
PHILIP JECK

A night of amazing artists across multiple genres (Dubstep, alternative electronica/sampladelica, multimedia composition etc) in whose work can be seen a sense of haunting nostalgia. Performances will start at 8.30pm. £12

A combined ticket for both Monday 12th May events is available for £15 through the Museum of Garden History box office only.

For more information on Touch please visit www.touchmusic.org.uk

Festival Pass: £38. Only available through the Museum of Garden History box office.

Box Office:
Ticketweb: 08700 600 100 / www.ticketweb.co.uk
See Tickets: 0870 264 3333 / www.seetickets.com

We Got Tickets (internet only, but save on postage fees): www.wegottickets.com

Tickets also available through the Museum - 020 7401 8865

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How to get to the Museum:
Buses – To Lambeth Road C10, 3 & 344
To Lambeth Palace Road 77 & 507 (507 - Mon-Fri only)
Underground – Lambeth North or Westminster
Train – Waterloo or Victoria, then bus.